闽台古建装饰中的吉祥图案及其文化意涵  

The Auspicious Patterns in the Decoration of Fujian and Taiwan Ancient Buildings and Their Cultural Connotations

作　　者：黄景爱 吴巍巍[2] HUANG Jingai;WU Weiwei(School of Foreign Languages,Fujian Business University,Fuzhou,Fujian 350012,China;Center for Study of Fujian and Taiwan,Fujian Normal University,Fuzhou,Fujian 350007,China)

机构地区：[1]福建商学院外国语学院,福建福州350012 [2]福建师范大学闽台区域研究中心,福建福州350007

出　　处：《闽江学院学报》2022年第6期1-7,共7页Journal of Minjiang University

基　　金：国家社会科学基金冷门“绝学”重大研究专项(2018VJX061)。

摘　　要：吉祥图案源自中华民族的吉祥观念与吉祥文化,是中华传统文化在装饰艺术领域的集中体现。在闽台地区的古建装饰艺术体系中,吉祥图案是较为常见的一类题材,具有融合性、地域性、民俗性等特点,具有中国传统建筑装饰认识、组织、改造、教化的社会功能。闽台古建装饰吉祥图案突出地体现了中国人思想观念中对“福”“禄”“寿”“喜”“财”的向往和追求,承载着两岸民众共同保护、传承和发扬中华传统文化的时代使命与精神意涵。Auspicious patterns originate from the Chinese nation′s auspicious concept and auspicious culture, and they are the concentrated embodiment of traditional Chinese culture in the field of decorative art. In the ancient building decoration art system of Fujian and Taiwan, auspicious patterns are a relatively common type of subject matter, with the characteristics of integration, regional, folklore, etc., playing the role of traditional Chinese architectural decoration to recognize, organize, transform and educate the social function. The auspicious patterns of Fujian and Taiwan′s ancient construction decorations prominently reflect the Chinese people′s ideology of the desire and pursuit of "fortune" "prosperity" "longevity" "happiness" and "wealth". They also carry the mission and spiritual connotation of the times for people on both sides of the Taiwan Strait to jointly protect, inherit and promote traditional Chinese culture.

关 键 词：闽台古建装饰 吉祥图案 文化意涵 

分 类 号：J59[艺术—艺术设计]