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作 者:陈志勇[1] CHEN Zhi-yong(Department of Chinese,Sun Yat-sen University,Guangzhou 510275,Guangdong)
出 处:《厦门大学学报(哲学社会科学版)》2023年第1期128-140,共13页Journal of Xiamen University(A Bimonthly for Studies in Arts & Social Sciences)
基 金:国家社会科学基金规划项目“明代戏曲选本叙录与编刻形态研究”(22BZW095)。
摘 要:晚明福建建阳编刻的戏曲选本,不仅数量庞大,而且独具特色,具有重要的文献价值。闽刻曲选的书名设计、目录制作和版面分栏等物质形态,传达出这类书籍的市场定位、图书性质和读者人群等核心信息。上下主栏剧曲以散出为中心,多民间南戏而少文人传奇和北曲杂剧的选曲取向,形成与精英阶层戏曲知识的区隔。中栏以民歌小调、时兴小曲为主,同时兼选酒令、灯谜、笑话、方语、历史及地理等知识,彰显编刻者明确的旅行知识生产意图。而从书籍用墨用纸、字体行款、价格定位以及封面插图所绘生活场景之指向来看,这类曲选的性质是为士商提供曲类及旅行知识的特殊类书。Late-Ming engraved opera anthologies in Jianyang,Fujian,are not only numerous but also unique,holding great value as a form of literature.Their design of titles,table of contents,layout of pages and other material forms contain essential information,such as market positioning,nature of books and targeted readership.The upper and lower columns are centered on scattered plays,with plenty of folk southern operas and some literati legends and northern operas,forming a distinction from the opera knowledge of the elite.The middle column is dominated by folk songs and ditties,as well as drinking lyrics,lantern riddles,jokes,and knowledge of dialects,history,geography and other subjects,clearly demonstrating the intention of the editors and engravers to generate travel knowledge.Judging from the ink and paper used,the typeface,the pricing,and the life scenes illustrated on the cover,this paper includes that this type of opera anthologies is a special kind of books providing opera repertoires and travel knowledge for scholars and merchants.
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