《钟山》文学场与新写实小说思潮  

Literary field of Literary Bimonthly and the new realistic novel trend of thought

作　　者：张田 Zhang Tian(School of Chinese Language and Literature,Liaoning Normal University,Dalian 116081,China;School of Journalism and Communication,Heilongjiang University,Harbin 150080,China)

机构地区：[1]辽宁师范大学文学院,辽宁大连116081 [2]黑龙江大学新闻传播学院,黑龙江哈尔滨150080

出　　处：《辽宁师范大学学报（社会科学版）》2023年第1期77-81,共5页Journal of Liaoning Normal University(Social Science Edition)

基　　金：国家社会科学基金一般项目“中国广告学术思想史七十年(1949—2019)”(20BXW123);黑龙江省艺术科学规划项目“马克思主义新闻观视域下的新冠肺炎纪录片研究”(2021D037)。

摘　　要：在20世纪八九十年代中国文学场域之中,《钟山》与经济场和社会权力场进行力量角逐,获得了文学自主权,建立了自己独特的文学场。《钟山》为活跃文坛气氛、获得文学话语权进行文学策划,归纳总结20世纪80年代中后期一种新生的创作倾向,并催生了新写实小说思潮。可以说,《钟山》对“新写实”的命名与倡导发挥了历史性作用,真切地影响了文学的发展。In the field of Chinese literature in the 1980s and 1990s,Literary Bimonthly competed with the economic field and the political field,gained literary autonomy and established its own unique literary field.In order to activate the literary atmosphere and gain the literary discourse power,Literary Bimonthly made a literary plan,which summarized a new creative tendency in the middle and late 1980s,and gave birth to the new realistic novel trend of thought.It can be said that Literary Bimonthly has played a historic role in naming and advocating the“new realism”,and has really influenced the development of literature.

关 键 词：文学场 文学生产机制 新写实小说 

分 类 号：I206.7[文学—中国文学]