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作 者:李阳芳 张玉山[1,2] LI Yang-fang;ZHANG Yu-shan(School of Furniture and Art Design,South-Central University of Forestry and Technology,Changsha,Hunan,410004;China Cultural and Creative Research Center,South-Central University of Forestry and Technology,Changsha,Hunan,410004)
机构地区:[1]中南林业科技大学家具与艺术设计学院,湖南长沙410004 [2]中南林业科技大学中国文化创意研究中心,湖南长沙410004
出 处:《湖南包装》2022年第6期124-127,共4页
基 金:湖南省哲学社会科学基金项目(19YBA369)。
摘 要:在文化传承创新的背景下,湘西苗族童帽独特的艺术造型和意义是苗族服饰艺术中的瑰宝,而苗绣又是苗族人民独特的文字记录方式,被称为行走的史书。文章利用文献分析法和定性研究法对苗族童帽纹饰进行研究,以把握湘西苗族独特的社会文化,湘西苗族童帽不只是母亲赠与孩子的礼物,更是湘西苗族文化独特审美意识的体现。湘西苗族童帽需要将质朴的生活艺术融入现代社会,让人们感受到一个民族的淳朴与浪漫,形成文化上的共鸣,将其与现代设计相结合,使文化从传统中来走向现代中去。Under the background of cultural inheritance and innovation,the unique artistic shape and significance of Xiangxi Miao children’s hats are treasures of Miao costumes,and Miao embroidery is a unique way of writing records of Miao people,known as walking history.Using the method of literature analysis and qualitative research,this paper studies the patterns of Miao children’s hats in order to grasp the unique social culture of the Miao people in Xiangxi.The Miao children’s hats in Xiangxi are not only gifts from mothers to children,but also the embodiment of the unique aesthetic consciousness of the Miao culture in Xiangxi.Children’s hats of Miao nationality in Xiangxi need to integrate the simple life art into the modern society,so that people can feel the simplicity and romance of a nation and form cultural resonance,Combine it with modern design to make culture move from tradition to modernity.
分 类 号:TB472[一般工业技术—工业设计] TS941.12[轻工技术与工程—服装设计与工程]
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