多元文化融合视阈下的唐代女装探究  

Research on Women’s Clothing in the Tang Dynasty from the Perspective of Multi-cultural Integration

作　　者：薛凤敏[1] Xue Fengmin(College of Arts and Sciences,Beijing Institute of Fashion Technology,Beijing 100029)

机构地区：[1]北京服装学院文理学院,北京100029

出　　处：《山东纺织经济》2022年第12期20-23,共4页Shandong Textile Economy

摘　　要：唐代女装以其风格浮华绚丽、形制开放多元在中国服饰画卷上留下浓墨重彩的一笔。通过分析唐代女装款式、纹样和着装风格在外来文化的影响下而呈现的异彩缤纷的多元发展态势,提出唐代女装之所以能够对外来服饰文化兼容并蓄,并进一步转化创新,其原动力在于唐代所提供的富足的经济条件、宽容的心理环境以及女性地位的提升。指出汲取外来文化精华,同时保持发扬传统文化,使外来文化在传统文化中融合,并逐渐走向本土化,这既是唐代女装创造辉煌的源泉,也是当代女装开拓创新、繁荣兴盛的推动力。Women’s clothing in the Tang Dynasty occupies an important position in the history of Chinese clothing because of its flamboyant and diversified costume styles. By analyzing the diversified development trend of women’s clothing styles, patterns and dressing styles in the Tang Dynasty under the influence of alien cultures, this paper points out that women’s clothing in the Tang Dynasty absorbed alien clothing cultures and further made some innovations originally because of the rich economic conditions, tolerant psychological environment and the promotion of women’s status provided by the Tang Dynasty. It is pointed out that absorbing the essence of alien cultures while maintaining the traditional culture, making the alien cultures merge in the traditional culture and gradually move towards localization is not only the motive power of the brilliant achievements of women’s clothing in the Tang Dynasty, but also the powerful driving force for the innovation and prosperity of the contemporary women’s clothing.

关 键 词：唐代女装 多元文化 文化融合 原动力 

分 类 号：G05[文化科学]