20世纪40年代晋察冀红色图像报刊身体话语修辞研究  

A Rhetorical Study on Body Discourses of Chin-Cha-Chi Pictorial Newspapers and Periodicals in the 1940s

作　　者：何国梅 HE Guo-mei

机构地区：[1]中南民族大学文学与新闻传播学院,湖北武汉430074

出　　处：《新闻大学》2022年第11期43-53,117,118,共13页Journalism Research

基　　金：国家社科基金艺术学青年项目“《东方杂志》图像叙事与历史记忆研究(1904—1948)”阶段性成果(2019CH02062)。

摘　　要：话语是充满修辞之物,身体修辞以身体符号的书写与身体形象的传播建构身体话语。1942年至1948年间,晋察冀画报社先后出版的红色图像报刊系列,通过同一化、陌生化、隐喻化以及差异化的身体修辞,塑造了“仁慈的胜利者”等身体形象,体现出不同于近代都市媒体中呈现的身体话语,形成了革命式身体话语。在此影响下的报刊身体话语对新中国的报刊身体文化实践产生了深远的影响。Discourse is something built on rhetoric,and body rhetoric constructs body discourse by using body symbols and disseminating body images.From 1942 to 1948,the Chin-Cha-Chi Pictorial Press published a series of revolutionary pictorial newspapers,where assimilated,defamiliarized,metaphorized,or differentiated body rhetoric was used to create the body images of’the struggling victim","the merciful victor","the betrayer subject to punishment"and"the persons undergoing comprehensive reform",thus establishing the revolutionary body discourse in wartime.Many factors contributed to the birth of this revolutionary body discourse,and special attention should be paid to the traditional collectivist body values,wartime needs,and the ecological environment of media.The media’s body discourse generated under this influence had a profound impact on their body culture practice after the founding of the People’s Republic of China.

关 键 词：红色报刊 身体传播 视觉话语 身体修辞 图像文化 

分 类 号：G210.9[文化科学—新闻学]