近代日本作家旅华游记背后的“经济账”——论芥川龙之介《中国游记》中的东方想象与写实  

The“Economic Account”Behind the Travel Notes of Modern Japanese Writers in China:On the Oriental Imagination and Realism in Akutagawa Ryūnosuke’s Travels in China

作　　者：袁意 YUAN Yi(School of Literature,Henan University,Kaifeng 475001,China)

机构地区：[1]河南大学文学院,河南开封475001

出　　处：《信阳农林学院学报》2022年第4期73-79,共7页Journal of Xinyang Agriculture and Forestry University

摘　　要：《中国游记》诞生于日本近代报刊企业化、资本化的背景下,某种程度上是资本竞争的产物。一方面,芥川的中国之行得到报社资助,他的旅行视野也因报社的安排有所掣肘。另一方面,游记本身作为文化商品化、大众化的结果之一,其所拥有的内在消费属性修正了作品的成书轨迹,使其不仅聚焦于“山水”,更聚焦于“人文”。与此同时,芥川笔下的“人文”又受到各种历史、经济因素的压制,蕴含了民国时期的窘状。有着这样一番不可忽略的“经济账”,《中国游记》中对于“中国形象”的负面描写就不能单单归因于创作主体的褊狭,其背后的经济线索和历史因素也应该纳入相关的研究范畴。Travels in China was born under the background of the corporateization and capitalization of modern Japanese newspapers and periodicals,and to some extent is the product of capital competition.On the one hand,Akutagawa’s trip to China was funded by a newspaper,and his travel vision was restricted by the office’s arrangements,resulting in a less comprehensive view of China.On the other hand,as one of the results of the commercialization and popularization of culture,the inherent consumption attributes of travel notes modify the writing track and make it not only focus on“Landscape”,but more focuse on the“Humanities.”.At the same time,Akutagawa’s“Humanism”is suppressed by various historical and economic factors,which contains the predicament of the Republic of China period.With such an“Economic account”that can not be ignored,the negative description of“The image of China”in Travels in China can not be attributed to the narrowness of the author himself,the economic clues and historical factors behind it should also be included in the relevant research category.

关 键 词：《中国游记》 旅华游记 东方主义 写实性 经济 

分 类 号：I106.6[文学—世界文学]