从分割到遮蔽:矢野仁一的中国意象塑造及其近代性尺度  

From Division to Disguise:Yano Jinichi’s China Images and His Standard on Modernity

作　　者：孙志鹏[1] SUN Zhipeng

机构地区：[1]东北师范大学历史文化学院,130024

出　　处：《历史教学问题》2022年第5期25-32,24,190,共10页History Research And Teaching

基　　金：国家社会科学基金重大项目“近代日本在华资源‘调查’及盗绘图表整理与研究(1868-1945)”(18ZDA204)阶段性成果。

摘　　要：20世纪20-40年代,伴随亚太时局的变动,矢野仁一提出了“满蒙藏非中国本来领土论”等一系列污名化中国的论说。自华盛顿会议召开,中经九一八事变和七七事变,迨至太平洋战争爆发,矢野仁一先后塑造了“中国非国”、“动的中国”和“不动的中国”、“客体中国”、“被遮蔽的中国”等多重负面意象。矢野仁一的中国观,既具有伴随政治变化而演替的“动”的表征,也有始终如一呼应并推动日本侵华国策的“不动”的特性,而以近代性为绝对尺度的单线“进步史观”是贯穿矢野仁一一生的历史认识的核心。In the 1920 s—1940 s,with the change in the Asian Pacific region,Yano Jinichi made some arguments such as "Manchuria,Mongolia,and Tibet were not China s original territory to divide China.From the Washington Conference,the September 18 th Incident,the July 7 th Incident down to the outbreak of the Pacific War,Yano had created multiple negative images about China,such as" China is not a country "," changeable/unchangeable China "," China as the Object " and the Disguised China".Although Yano’s view on China changed with political upheavals,it did not change in terms of its compliance with the Japanese aggression.He firmly held the "historical view of progress" throughout his life.

关 键 词：矢野仁一 动的中国 不动的中国 进步史观 近代性 

分 类 号：K207.8[历史地理—历史学]