历史电影中的文化记忆书写——以《长津湖》系列影片所体现的抗美援朝记忆为例  

Cultural Memory Writing in Historical Films: The Historical Memory Told by the Series of The Battle at Lake Changjin

作　　者：王琳[1] 宋依可 WANG Lin;SONG Yi-ke(School of Foreign Studies,Northwestern Polytechnical University,Xi’an,710129,Shaanxi)

机构地区：[1]西北工业大学德语系,陕西西安710129

出　　处：《蚌埠学院学报》2023年第1期16-21,共6页Journal of Bengbu University

摘　　要：立足于扬·阿斯曼的文化记忆理论,针对兼具媒体工具和文化产品属性的历史电影,以《长津湖》系列影片为研究对象,探究历史电影借助影像技术在文化记忆框架下赋予历史的真实性和生动性,以及它在提升民族认同感和塑造国家正面形象上所发挥的不可比拟的作用。该系列影片引领观众步入由叙述者精心编织的回忆空间,在帮助人们了解历史的同时,传达出影像背后潜存的文化记忆与历史意识。On the basis of Jan Assmann’s theory of cultural memory, it investigated the authenticity and vividness of history given in this paper by historical films in the framework of cultural memory with the help of video technology, as well as its incomparable role in enhancing national identity and shaping a positive image of the country, taking the series of The Battle at Lake Changjin as the object of study.The film series leads viewers into the space of memories carefully woven by the narrator, helps people understand history while conveying the cultural memory and historical consciousness behind the images.

关 键 词：文化记忆 历史电影 《长津湖》系列影片 抗美援朝 

分 类 号：J905[艺术—电影电视艺术]