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作 者:霍艳芳[1] 张萌 Yanfang HUO;Meng ZHANG(School of History and Culture,Shandong University)
机构地区:[1]山东大学历史文化学院
出 处:《印刷文化(中英文)》2022年第4期46-55,共10页Print Culture
基 金:国家社会科学基金后期资助项目“李开先藏书、著述和刻书研究”(项目编号:19FTQB009)阶段性成果之一。
摘 要:明嘉靖时期著名的文学家、戏剧家李开先,也是藏书家、刻书家。与藏书、著述相比,李开先的刻书活动不甚显著。本文通过对李开先刻书活动的考察,发现其刻印活动具有强烈的传世意识和自觉意识,且带有明显的家刻性质,印证了其藏书、著述和刻书活动的相辅相成,为理解文人藏书、著述和刻书一体化的文化传统,认识明代山东地区刻书活动在中国出版史上的地位提供了参考。Li Kaixian, a famous writer and dramatist during the Jiajing reign of Ming dynasty,was also a book collector and engraver. But his book engraving is less known than his book collection and writings. This paper examines Li’s book engraving activities and finds that his engraving was driven by a strong sense of mission to pass down the books to posterity,and was obviously done at home, and that his book collection, writing and engraving were complementary to each other. The findings provide reference for us to better understand the tradition ofintegrating the book collection, writing and engraving among ancient Chinese literati, and the status of book engraving in Shandong area of Ming dynasty in the history of Chinese publishing.
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