西安八仙宫景观意境营造研究  

Study on the Artistic Conception of the Wanshou Palace Square in Xi’an

作　　者：陈璐 蔡宇威 CHEN Lu;CAI Yuwei(School of Architecture,Xi’an University of Architecture and Technology,Xi’an,ShQan xi,China,710055)

机构地区：[1]西安建筑科技大学建筑学院,西安710055

出　　处：《园林》2023年第2期101-108,共8页Landscape Architecture Academic Journal

基　　金：陕西省文化和旅游课题项目“陕西省传统工艺振兴工作研究”(编号:SWHHLYKT201910)。

摘　　要：八仙宫是西安市内规模最大的道教宫观,为全国道教21处重点宫观之一,其严谨规则的祭祀空间与灵活多变的附属空间,共同形成独树一帜的造园风格。通过实地调研、测绘、古籍与碑文查询等途径,梳理八仙宫的发展沿革,绘制该道观的平面图以及立体模型,并解析其空间序列。结果表明,其景观意境营造的手法为四神围宫,中和统一;人神共在,亦观亦居;无为之为,回味无穷;古树参天,万物有灵;古碑遗迹,碑刻林立,并归纳总结其景观意境营造的特点。通过对八仙宫景观意境营造研究,不仅可以弥补西北地区道观园林相关研究的缺失,同时还可对其他道观园林有所启示,突出其文化价值和保护意义。The Wanshou Palace Square is the largest Taoist temple in Xi’an City and one of the 21 key Taoist temples in China.Its regular worship space and flexible space jointly form a unique garden style.By means of field research,mapping,ancient books and inscriptions,this paper summarizes the development and evolution of the Wanshou Palace Square,draws the ichnography and three-dimensional model of the Taoist temple,analyzes its spatial sequence,and analyzes the technique of creating the landscape artistic conception:Sishen surround the palace,unified Layout;In both humans and divine beings,also view and live;about nothing and everything,endless aftertaste;Towering ancient trees,all things have spirit;Ancient monument remains,stele inscriptions,and summed up the characteristics of its landscape artistic conception.Through the study of the artistic conception of the Wanshou Palace Square,it can not only make up for the lack of relevant research on Taoist gardens in Northwest China but also give inspiration to other Taoist gardens,highlighting its cultural value and conservation significance.

关 键 词：八仙宫 道观园林 空间布局 意境营造 

分 类 号：TU986[建筑科学—城市规划与设计]