清代闺秀文学创作与出版的合理化辩说  

A Rationalization Debate on the Creation and Publication of Qing Dynasty Boudoir Literature

作　　者：邢小萱 张宏生[1] XING Xiao-xuan;ZHANG Hong-sheng

机构地区：[1]香港浸会大学中国语言文学系,中国香港999077

出　　处：《求是学刊》2023年第1期161-172,共12页Seeking Truth

摘　　要：有清一代,由于闺秀文学的规模化与商业化,针对闺秀创作及出版的指摘声势渐隆。在此局面下,闺秀文学的声援者开始自觉地利用诗文集序跋一类实用性文本来实现对闺秀创作及出版的合理化辩说。在数种最常见的合理化辩说路径之中,既有史实的征引、经典的重阐,还有根植于现实的对女作家写作动机、影响期待的辩白,亦或是从文学角度出发对闺阁诗风提出新的解读,甚至诉诸神异化书写,可谓于经典、现实与神话诸多语境之中为闺秀创作及出版寻求合理空间。这一系列的合理化辩说在很大程度上回应了贯穿于闺秀创作与出版各个环节中的诸多非议,为推动闺秀文学的发展提供了坚实的力量。In the Qing dynasty,the large scale and commercialization of boudoir literature led to a rise in criticism of women’s creation and publication.In this situation,the supporters of boudoir literature began to consciously use practical texts such as prefaces to poetry collections to rationalize the creation and publication.Among the most common paths of rationalization,there are historical quotations and reinterpretations of classics,as well as arguments rooted in reality about the motives and expectations of women writers,or new interpretations of the poetic style of the boudoir from a literary perspective,or even resorting to divine alienation,seeking a rational space for the creation and publication of boudoir in the context of classics,reality and myth.This series of rationalizations has,to a large extent,responded to the many criticisms that have permeated all aspects of the creation and publication of boudoir poetry,and has provided a solid force for the development of boudoir literature.

关 键 词：闺秀文学 女性创作 女性出版 合理化 

分 类 号：I206.2[文学—中国文学] K249[历史地理—历史学]