论倪瓒《狮子林图》绘制年代及其园林意境  

On the Drawing Time of Ni Zan’s "Shizi Lin Tu" and Its Garden Artistic Conception

作　　者：郑成胜 ZHENG Chengsheng

机构地区：[1]华东师范大学

出　　处：《创意设计源》2022年第6期35-40,共6页Idea & Design

摘　　要：将倪瓒《狮子林图》与倪瓒不同时期的绘画作品进行对比,并将元末明初诗文游记中狮子林初建时的实景与《狮子林图》的景致进行对照,确定倪瓒《狮子林图》的绘制时间范围。通过绘画作品分析和相关文献整理发现,狮子林从景致命名、空间营造、植物配置等方面体现了禅宗思想、文人画意与江南园林意境在元明时期的交汇与融合。Comparing Ni Zan ’s "Shizi Lin Tu" with Ni Zan ’s paintings in different periods, and compare the actual scenery of the Lion Forest Garden when it was first built in the poetic travelogues of the late Yuan and early Ming dynasties with the scenery in "Shizi Lin Tu" and the early Ming Dynasty, the drawing time range of Ni Zan’s "Shizi Lin Tu" is determined. Through the analysis of paintings and the collation of relevant literature, it is found that the Lion Forest Garden embodies the intersection and integration of Zen thought, literati painting and Jiangnan garden artistic conception in Yuan and Ming dynasties from the perspectives of landscape naming, space construction and plant configuration.

关 键 词：《狮子林图》 禅意空间 园林意境 倪瓒 乾隆 

分 类 号：J212[艺术—美术]