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作 者:罗立梅 LUO Li-mei(Yunnan Land And Resources Vocational College,Kunming 652501,Yunnan,China)
出 处:《红河学院学报》2023年第1期45-48,共4页Journal of Honghe University
摘 要:在越南文学作品中,叠音词的运用不仅能丰富越南语语言的词汇系统,而且增加语言表达的形象性。越南诗人阮攸对于叠音词独特的艺术追求,在越南“六八体诗”《金云翘传》中得到充分的展现,他有机灵活地运用平易近人、生动如画、通俗易懂、自然流畅、表达深刻的各类重叠词,使《金云翘传》不仅使诗歌具有很强的音韵性与节奏感,语义表达也更加丰富而细腻,而且达到了烘托气氛、表露情感、升华主题的艺术效果。文章着重对史诗中叠音词的结构、分类、特色及艺术效果等多方面作初步的分析。Vietnamese poet Nguyen Yau’s unique artistic pursuit of syllable words is fully demonstrated in Vietnam’s “Six-eight Poems” and The Tale of Jin Yun Qiao. His organic and flexible use is approachable, vivid and picturesque, easy to understand, natural and smooth. The profound overlapping words make The Tale of Jin Yun Qiao not only have a strong phonological and rhythmic sense of rhythm, but also richer and more delicate semantic expression, and achieve the artistic effect of setting off the atmosphere,expressing emotion, and sublimating the theme. This paper focuses on the preliminary analysis of the structure, classification,characteristics and artistic effect of the double-syllable words in the epic.
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