中国儒家思想对越南歌筹说唱曲的影响  

The Infuence of Chinese Confucianism and Taoism on Vietnamese Singer Rap

作　　者：刘浩霖 LIU Hao-lin(School of South and Southeast Asian Languages and Cultures,Yunnan Minzu University,Kunming 650500,Yunnan,China)

机构地区：[1]云南民族大学南亚东南亚语言文化学院,云南昆明650500

出　　处：《红河学院学报》2023年第1期49-53,共5页Journal of Honghe University

摘　　要：越南歌筹是古代宫廷的歌舞,深受中国歌舞的影响。如今,歌筹获得了重生,其在越南传统文化艺术中占据重要地位。越南歌筹当中的说唱曲体裁,受到当时文人墨客极度喜爱,留下了许多脍炙人口的诗句。文章就越南盛行的说唱曲诗句中所蕴含的儒家思想进行探讨,揭示其哲学思想的博大精深与影响力。Vietnamese song and dance is the song and dance of the ancient palace, deeply influenced by Chinese song and dance.The genre of rap music among the Vietnamese song chips was extremely loved by the literati and inkmen of the time, leaving behind many popular verses. This article discusses the Confucianism and Taoism contained in the verses of the popular raps in Vietnam’s feudal dynasty, revealing the profoundness and influence of its philosophy.

关 键 词：越南歌筹说唱曲 儒家思想 社会影响 

分 类 号：J654[艺术—音乐]