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作 者:周维东[1] ZHOU Wei-dong(The College of Literature and Journalism of Sichuan University,Chengdu 610064,China)
机构地区:[1]四川大学文学与新闻学院,四川成都610064
出 处:《贵州师范大学学报(社会科学版)》2023年第1期105-114,共10页Journal of Guizhou Normal University(Social Sciences)
基 金:国家社科基金项目“延安时期重要文艺术语的当代意义流变研究”(22BZW139);四川省社科规划重点项目“延安文艺核心术语阐释史研究”(SC22A018)的阶段性成果。
摘 要:历史看待近年来开始活跃的“红色文艺”概念,还处于意义建构期,直接将之运用到文艺史研究中势必引发不必要的争议。如果将“红色文艺”具体化为“红色革命文艺”,它所包含的整体性视野,对于重新审视其内部相关文艺现象的概念命名、源流关系,它们与中国古代文艺传统、外国文艺传统和“五四”文艺传统的关系,还有文献整理中的问题,体现出不可替代的作用和价值。目前以具体时段划分后的“红色革命文艺”研究,在概念命名上并不严谨,对整体源流关系的认识存在分歧,在与相关文艺传统关系的梳理上缺乏说服力,相关文艺梳理也存在不足,这些问题的形成与研究界缺乏整体视野有密切关系。在更大的视野上,“红色革命文艺”研究中存在的问题,是中国现当代文艺关于“启蒙-救亡”“传统-现代”“民族-世界”等重大问题悬而未决的结果,对这些重大问题的突破,进一步深化对“红色革命文艺”历史的认识是关键点。Viewing from the historical perspective, though the concept of “Red Literature and Art” has been seen and mentioned frequently in various fields during recent years, it is still at the stage of meaning construction. Therefore, the way of using it directly in the research of literature and art history will be bound to induce unnecessary dispute. However, if this concept of “Red Literature and Art” is turned into “Red Revolutionary Literature and Art”, it will show irreplaceable effect and value by its integral vision in aspects of reviewing the concept naming and source relationship of the internal phenomenons concerning literature and art, their relationship with Chinese ancient traditions of literature and art, foreign traditions of literature and art and “May Fourth” traditions of literature and art, and literature sorting. At present, the research on “Red Revolutionary Literature and Art” based on the periods divided by specific time is not exact in concept naming, and has no unified recognition of the overall source relationship, lacks persuasiveness in analyzing its relationship with relative literature and art traditions, and lacks sufficient sorting and analyzing of relative literature and art. The main reason causing all these problems is the lack of integral vision in the research community. From a broader perspective, the problems existing in the research of “Red Revolutionary Literature and Art” is the result of the pended major issues of modern Chinese literature and art, including “Enlightenment-Salvation”, “Tradition-Modern”, and “Nation-World”. Therefore, making breakthroughs of these major issues is vital for further deepening the understanding about the history of “Red Revolutionary Literature and Art”.
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