阐释:文学史叙述的一种基本动力  

Interpretation:A Basic Driving Force of Literary History Narration

作　　者：乔国强[1] QIAO Guo-qiang(Shanghai Academy of Global Governance and Area Studies,Shanghai International Studies University,Shanghai 200083,China)

机构地区：[1]上海外国语大学区域国别研究院,上海200083

出　　处：《东北师大学报（哲学社会科学版）》2023年第1期1-9,共9页Journal of Northeast Normal University(Philosophy and Social Science Edition)

摘　　要：面对同一时期的文学历史会有多种不同的文学史著,其主要原因是文学史作者在撰写中所要处理的与文学史相关的问题有多种。这些问题的处理受到文献资料、知识体系、叙事线索以及互文性等的制约。本文运用叙述学的一些基本理念,从阐释性叙述和阐释性结构的角度,探讨文学史的本质和语境,以及文学历史能被不同时代的人不断叙述、再叙述的原因,并提出撰写文学史的主要动力就是在一定认知取向统摄下阐释这些问题的观点。There will be many various literary historical works in talking about the literature of the same period.The main reason is that the writers of literary history have to deal with many issues related to literary history.The handling of these problems is restricted by literatures,knowledge system,narrative clues and intertextuality.By employing some basic concepts of narratology and from the perspectives of interpretative narration and interpretative structure,the present paper discusses the nature and context of literary history and the reasons that literary history can be constantly narrated and re-narrated by people of different times,and concludes that the main driving force for writing literary history is to interpret these issues under the guidance of certain cognitive orientation.

关 键 词：阐释 文学史 叙述 动力 

分 类 号：I206.7[文学—中国文学]