论《哈姆雷特机器》的非自然叙事  

The Unnatural Narrative of The Hamletmachine

作　　者：张汝杰[1,2] ZHANG Rujie

机构地区：[1]浙江传媒学院播音主持艺术学院 [2]上海戏剧学院研究生部

出　　处：《戏剧艺术》2022年第5期71-79,共9页Theatre Arts

摘　　要：德国当代著名剧作家海纳·米勒的《哈姆雷特机器》通过对经典戏剧的反叛,探索新的戏剧形式。剧中的哈姆雷特和奥菲丽雅是由拼贴角色构成的非自然的叙述者。这部戏通过自我暴露表演过程、违反自然规律的行动以及反叙述等异于常规戏剧的方式,构成叙述进程。从叙述者、叙述进程、叙述结局三方面剖析《哈姆雷特机器》的非自然叙事表征,同时结合对罗伯特·威尔逊执导的舞台演出的阐释,有助于理解这部剧的价值内涵。该剧用混乱的形式表达了摧毁的主题,把读者从对社会历史不假思索的接受、对被损害者习以为常的漠视中唤醒。The famous contemporary German playwright Heiner Müller’s The Hamletmachine explores new drama forms by rebelling against the classic drama. Hamlet and Ophelia in the play are unnatural narrators made up of collaged characters. The narrative progression of the play is realized through self-exposure, actions against the laws of nature, and anti-narrative, which are different from conventional drama. It is helpful to understand the value of the play by analyzing the unnatural narrative representation from the following aspects of narrators, the narrative progression and the narrative ending, as well as the interpretation of the stage performance directed by Robert Wilson. The play expresses the theme of destruction in the form of chaos, awakening readers from an unthinking acceptance of the social history and a habitual indifference to the damaged.

关 键 词：海纳·米勒 哈姆雷特机器 非自然叙事 

分 类 号：J80[艺术—戏剧戏曲]