浅析美国动画电影反面角色衍变规律  

Analysis of the Villain Evolvement in American Animated Feature Films

作　　者：艾梦 Ai Meng(University of Bolton,Bolton BL35AB,UK)

机构地区：[1]英国博尔顿大学,英格兰博尔顿BL35AB

出　　处：《艺术与设计（理论版）》2022年第11期133-135,共3页Art and Design

摘　　要：在动画电影中,反面角色在片中有着举足轻重的作用。他们既是矛盾的制造者和发展者,也是推动剧情发展的必要条件。对于这类角色的塑造已不再局限于脸谱化的单一模式,逐渐向多元化、立体化转型。反面角色与剧中其他角色不再是水火不容的相处模式,它可以作为主角来发展整个剧情,也可以利用其外表与内质的高反差性去推动情节发展。文章选取不同时期美国经典动画中的反面角色,分析其角色构建方式及衍变成因。The Villain character in the animation is the key to creating conflicts and promoting the development of the plot,which plays an important position.However,the shaping of such roles has been different from the usual invariable stereotyped mode,gradually moving towards innovative and diverse development.The villains are no longer incompatible with other characters in the films,they can be used as the protagonist to develop the whole plot,or the high contrast between appearance and interior quality can be used to promote the plot and give the film suspense.This paper mainly analyzes the setting of villain characters in American animated films in different periods to deconstruct the ways of shaping villains and their evolution.

关 键 词：美国动画电影 反面角色 脸谱化 多元化 后现代主义 

分 类 号：J218.7[艺术—美术] J02