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作 者:郑芳芳[1] Zheng Fangfang(Fuzhou Institute of Foreign Studies,Fuzhou 350007,China)
出 处:《黑河学院学报》2022年第12期171-173,180,共4页Journal of Heihe University
摘 要:传统中国画的色彩观饱含着中华传统哲学的韵味,也深刻体现着我国传统文人的情怀与思想。中国画的色彩具有独具一格的表现方式和精神内涵,体现最为明显的当属文人画。我国绘画艺术吸收西方绘画艺术的色彩思想,呈现出一派空前自由和繁荣的景象。我国传统中国画的色彩的价值越发突出,在这个世界文化日渐交融的时代,独属于中华民族的绘画艺术色彩语言更加需要彰显出其价值,以更具现代化审美思想的姿态继续推动我国绘画艺术的发展。The color view of traditional Chinese painting is full of the charm of Chinese traditional philosophy,and reflects traditional literati’feelings and thoughts.The color of Chinese painting has unique style of expression and spiritual connotation,especially in the literati painting.In recent years,the painting art in our country absorbs the color ideas in the Western painting art,presents an unprecedented scene of freedom and prosperity,and manifests more and more prominent value of color.For the present,world cultures are increasingly converging,the color language of painting art which exclusively belongs to the Chinese nation needs to further highlight its value and go on promoting the development of Chinese painting art with a more modern aesthetic ideology.
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