“五四”小说:社团流派与叙事革新  

Novels of the May Fourth: Literary Schools and Narrative Innovation

作　　者：徐秀明 XU Xiuming(Institute of Arts Education,Hangzhou Normal University,Hangzhou 311121,China)

机构地区：[1]杭州师范大学艺术教育研究院,浙江杭州311121

出　　处：《济宁学院学报》2022年第6期52-56,共5页Journal of Jining University

基　　金：国家社科基金一般项目“20世纪中国文化冲突与小说叙事话语研究”(15BZW038)。

摘　　要：“五四”小说家普遍有强烈的“向内转”的创作需要,在创作技法方面有很多叙事革新。其中规律之一,是“五四”小说流派与叙事方法有大致的对应关系:“文学研究会”与现实主义、“创造社”与浪漫主义等。这并不是小说流派的统一要求,而是因为当时人们普遍强调个性自由,小说家们只会组建、加入与其自身气质、文学观念相契相近的小说流派。而他们所开辟的崭新的叙事范式,又决定了所属流派在中国文化转型过程中的位置与作用。During the May Fourth period, Chinese novelists generally had a strong need to “inward turn”,and they had many narrative innovations in their creative techniques.One of the rules is that there is a rough correspondence between the school of novels and the narrative methods of the May Fourth period. For example, “Literature Research Society” and Realism, “Creation Society” and Romanticism, etc. This is not the unified requirement of novel genres, but because people generally emphasized the freedom of individuality at that time, and novelists would only form and join novel schools that are similar to their own temperament and literary concept.And the brand-new paradigm they opened up determines the position and role of the novel school in the process of Chinese cultural transformation.

关 键 词：“五四” 小说流派 叙事 思潮 

分 类 号：G206.6[文化科学—传播学]