论元代北方民族诗人的汉文创作——以同题集咏创作为例  

On the Chinese Writing of Northern Poets in the Yuan Dynasty——On the Composition of the Poetry in the Same Title

作　　者：毕兆明[1] 陈碧优 BI Zhao-ming;CHEN Bi-you(School of Literature and Media,Inner Mongolia Minzu University,Tongliao 028043,China)

机构地区：[1]内蒙古民族大学文学与新闻传播学院,内蒙古通辽028000

出　　处：《赤峰学院学报（哲学社会科学版）》2023年第1期78-83,共6页Journal of Chifeng University：Philosophy and Social Science Chinese Edition

基　　金：国家民委人文社科重点研究基地中国北方民族文化艺术发展研究项目“比较文学视域下的元代北方民族汉语诗歌文类研究”(2021BJDY003)。

摘　　要：同题集咏是元代一种重要的诗歌创作形式,参与创作的既有汉族诗人,也有少数民族诗人。北方民族诗人同题集咏创作丰赡,代表人物有马祖常、贯云石、石抹宜孙等,他们的诗作表现出豪纵阔达的时空感、灵动自然的动态美。这类诗歌是元代施行汉法、多元开发的时代产物,也与文人雅集的时代风尚、托诗留名的文人传统密切相关,它见证了元代多民族之间的交往、交流、交融。The poetry of the same title was an important form of poetry creation in Yuan Dynasty, in which both Han and ethnic poets participated. Northern ethnic poets who participate in the poetry of the same title has created rich content, representative poets include Ma Zuchang, Guan Yunshi and Shimoyisun.Their poems show a broad sense of time and space, and the dynamic beauty with spirituality and nature. This kind of poetry is a product of the times when the midland’s management system was practiced during the Yuan Dynasty which society was characterized by openness and diversity. This kind of poetry is also closely related to the literati’s elegant collection of the times and the literati’s tradition of leaving their names on poems. It witnessed the interactions, exchanges and mingling between the multi-ethnic groups in the Yuan Dynasty.

关 键 词：同题集咏 汉文诗 文化融合 

分 类 号：I222.7[文学—中国文学]