民国时期《水浒》弹词开篇的叙事特色及传播途径——以《武松》弹词开篇为考察重点  

The Narrative Characteristics and Transmission Routes of the Opening of Tanci in The Water Margin in The Republic of China——Focusing on the Opening of the Tanci in Wu Song

作　　者：高欣雨 盛志梅[1] GAO Xin-yu;SHENG Zhi-mei(School of Liberal Arts,Tianjin Normal University,Tianjin 300380,China)

机构地区：[1]天津师范大学文学院,天津300380

出　　处：《菏泽学院学报》2022年第6期133-137,共5页Journal of Heze University

基　　金：国家社会科学基金(20BZW066)。

摘　　要：民国时期《水浒》弹词开篇颇受听众喜爱,其中《武松》弹词开篇具有代表性。与小说《水浒传》相比,《武松》弹词开篇在叙事重心、人物塑造与情节结构等方面有很大不同。《武松》弹词开篇因其独特刺激的题材、跌宕起伏的情节非常适合新媒体的要求,因而最受欢迎。In The Republic of China, the opening of Tanci in The Water Margin was very popular with the audience and the representative was that in Wu Song. Compared with the novel of The Water Margin, the opening of Tanci in Wu Song was very different in narrative focus, characterization and plot structure. It was most popular because its unique and exciting themes and ups and downs were very suitable for the requirements of new media.

关 键 词：《水浒》弹词开篇 武松 电台 报刊 

分 类 号：I239.1[文学—中国文学]