江户中后期诗坛性灵论主导下的白居易诗歌接受  

The Reception of Bai Juyi’s Poetry under the Dominance of “Xingling Theory” in the Mid-late Period of Edo Era

作　　者：聂改凤 NIE Gai-feng(School of literature,Liaocheng University,Liaocheng 252059,China)

机构地区：[1]聊城大学文学院,山东聊城252059

出　　处：《聊城大学学报（社会科学版）》2023年第1期111-117,共7页Journal of Liaocheng University:Social Science Edition

基　　金：教育部社科基金一般项目(21YJC751023):中唐元和诗歌在日本的传播与接受研究。

摘　　要：日本江户诗坛受中国明代诗学影响深远,诗坛风尚之演变亦大体相同。为抗衡荻生徂徕古文辞派,江户中后期诗风转向清新性灵,力推中晚唐诗与宋诗,白居易作为理想型诗人之一备受青睐。释六如接受白诗于温和平易诗风中而自能用熟字以出新的特色,市河宽斋倡导白居易写自我真性情的诗歌风格,尾藤二洲对白居易诗歌的接受则体现在“以淡为奇”论,整个江户诗坛对白居易诗歌的接受集中体现在这一阶段。The poetry circle in Edo, Japan, was deeply influenced by the Poetics of Ming Dynasty in China. The evolution of their poetry fashion was similar. In order to counter the school of Kobunji gaku by Ogyu Sorai, the poetic style in the middle and late Edo period turned to the Natural Inspiration Theory. The poetry circles began to advocate the mid late Tang poetry and Song poetry. Bai Juyi as one of the ideal poets was favored by Jishu, Ichikawa Kansai, Bitou Nishu and so on. The acceptance of Bai Juyi’s poems in the Edo period was mainly reflected in this stage.

关 键 词：江户中后期 清新性灵 白居易 接受 

分 类 号：I206.2[文学—中国文学]