金润《溪山真赏图》卷的初步研究  

On‘The Landscape of Waters and Mountains’in Hand Scroll Attributed to Jin Run

作　　者：李凯[1] Li Kai

机构地区：[1]天津博物馆

出　　处：《故宫博物院院刊》2022年第12期4-12,137,共10页Palace Museum Journal

摘　　要：明代金润《溪山真赏图》卷为其传世绘画孤本。此图系金润为其女婿陈钢所绘。画作虽属文人逸笔画法,但与明代前期王绂、谢缙、杜琼、刘珏、姚绶等文人画家的画风明显有别。金润在画卷诗题中言及其画法与方从义相关,这恰与《无声诗史》中介绍他“画法方方壶”的记载相吻合。金润对元末方从义画风的传承,说明虽然明代前期师法董源、巨然、赵孟頫、元四家画风的文人画家占据画坛主流,但方从义绘画的影响当时仍然存在。《溪山真赏图》对全面客观地认识明代前期绘画历史,具有重要意义。‘The Landscape of Waters and Mountains’(Xī Shān Zhēn Shǎng Tú in Chinese pinyin) painted by Jin Run of the Ming dynasty(1368-1644) to his son-in-law Chen Gang is the only survival of his works.The same way as a scholar-featured painting,yet this work is distinctive in style from those of Wang Fu,Xie Jin,Du Qiong,Liu Jue,Yao Shou,literati painters of the early Ming dynasty.Jin Run mentioned in his postscript about the way Fang Congyi who is a Daoist Artist of the late Yuan dynasty impacted him in artistic creation,which just verifies the text of ’He does painting after Fang Fanghu in style’ in the Silent History of Poetry.Jin Run’s case represents the continuous influence of Fang Congyi in art regardless of the other literati artists as the orthodox of art in the early Ming dynasty,who followed Dong Yuan,Ju Ran,Zhao Mengfu and the ’Four Masters of the Yuan Dynasty’ in artistic style and brushwork.So,in this sense,’The Landscape of Waters and Mountains’ is of much significance for a general and objective look at the art history of the early Ming dynasty.

关 键 词：金润 陈钢 溪山真赏图 方从义绘画 明代前期绘画 

分 类 号：J212[艺术—美术]