乾隆皇帝御笔书法中的代笔现象初探  

A Talk about the Ghostwriting in Emperor Qianlong’s Works of Calligraphy

作　　者：王亦旻[1] Wang Yimin

机构地区：[1]故宫博物院书画部

出　　处：《故宫博物院院刊》2022年第12期13-33,138,共22页Palace Museum Journal

摘　　要：本文是对故宫博物院所藏乾隆代笔书法的初步整理和研究。在乾隆一生留下的大量书法作品中,代笔之作所占比重并不高,但却涵盖了其各时期、各方面的书写内容,以及各种形制的作品,对于今天全面认识乾隆君臣在书法创作方面的互动关系具有重要意义。本文尝试纠正前人在此问题上的模糊认识,使人们对乾隆的代笔书法形成更准确的界定,进而选取各时期较典型的代笔和亲笔作品进行比对,对一些可能的代笔大臣加以考辨。The analysis on the works of calligraphy in name of Emperor Qianlong(乾隆)collected in the Palace Museum comes to the finding that the ghostwriting is just a tiny amount of the total but involves any subjects of various formats through his reign,yet,from which the way that the monarch and his ministers interacted in writing practice is sensed meanwhile.The thesis defines ’ghostwriting’ first,by which the works in Qianlong’ s name are distinguished from his own,and some official ministers are identified as the possible ghostwriters by the way.

关 键 词：乾隆书法 词臣代笔 张照 于敏中 董诰 

分 类 号：K249.3[历史地理—历史学] J292.1[历史地理—中国史]