阎连科小说的“梦境”书写——以《日熄》为中心  

“Dreamland”Writing in Yan Lianke's Novels:Centered on The Dimming Sun

作　　者：崔紫薇 CUI Ziwei(School of literature and cultural communication Tianshui Normal University,Tianshui 741000,China)

机构地区：[1]天水师范学院文学与文化传播学院,甘肃天水741000

出　　处：《商丘职业技术学院学报》2022年第5期15-19,共5页JOURNAL OF SHANGQIU POLYTECHNIC

摘　　要：21世纪以来,梦已然成为阎连科小说叙述的重要内容。从《丁庄梦》到《日熄》,阎连科或是在小说中插入大量的梦境描写,或是直接将小说架构为一场“梦幻”。在《丁庄梦》等作品中,梦境还只是个体欲望的隐性表达;到了《日熄》,阎连科借助对集体梦游的刻画,表现出整个人类的集体无意识,尤其是阴影原型所象征的人性恶。梦境书写因此成为阎连科探寻人性的有效方式。除此之外,梦境书写的叙述策略也表现出阎连科的创作无意识:对自我生命惶惑的表达和对写作困境的体认。Since the 21st century,dreams have become an important part of Yan Lianke's novels.From Ding Zhuang Dream to The Dimming Sun,Yan Lianke either inserted a lot of dream descriptions into the novel,or directly framed the novel as a“dream”.In works such as Ding Zhuang Dream,the dream is only a hidden expression of individual desires;but in The Dimming Sun,Yan Lianke uses the depiction of collective sleepwalking to show the collective unconsciousness of the entire human being,especially the shadow archetype symbolized by Human nature is evil.Dream writing has become an effective way for Yan Lianke to explore human nature.In addition,the narrative strategy of dreams also shows the writer Yan Lianke's creative unconsciousness:the expression of self-consciousness and the recognition of writing difficulties.

关 键 词：阎连科小说 梦境书写 《日熄》 

分 类 号：I207.42[文学—中国文学]