水韵心迹——中国传统水墨语言于马琳·杜马斯作品中的体现  

Water Rhyme with Heart Trace——Embodiment of Traditional Chinese Ink Language in Marlene Dumas’s Works

作　　者：王裕亮[1,2,3,4] 倪铮 WANG Yu-liang;NI Zheng(Fujian Normal University,Fuzhou 350117,China)

机构地区：[1]福建师范大学美术学院,福建福州350117 [2]中国美术家协会 [3]福建省美术家协会 [4]福建省油画艺委会

出　　处：《通化师范学院学报》2023年第1期106-111,共6页Journal of Tonghua Normal University

摘　　要：中国绘画艺术,有着自我的文化性格和内在的精神品质。传统水墨语言中蕴含的“味外之旨”为画面意境营造和情感表达开拓了广阔空间,恰似水韵,漫无边际。在中国古典“立象以尽意”的造物审美观浸染下,水墨语言的审美价值进一步被挖掘,影响遍及中外。如当代著名具象表现主义艺术家——马琳·杜马斯,其艺术创作就运用了大量中国传统水墨语言,使作品具有极强的精神性和表现性。文章将从具象和意象的表达入手,结合对马琳·杜马斯作品的分析,论述中国传统水墨语言在其作品中的具体体现。Under the influence of the Chinese classical creation aesthetic view of "standing image to fulfill meaning", the aesthetic value of ink language has been further excavated and influenced all over China and foreign countries. For example, Marlene Dumas, a famous contemporary figurative expressionist artist, uses a large number of traditional Chinese ink language in his artistic creation, which makes his works highly spiritual and expressive. Starting with the expression of concrete and image, combined with the analysis of Marlene Dumas’ s works, this paper discusses the concrete embodiment of traditional Chinese ink language in his works.

关 键 词：中国传统水墨 杜马斯 水韵 象外之象 

分 类 号：J21[艺术—美术]