城市作为“自然”与“世界”——论黄灿然的城市诗写作  

Cities as″Nature″and″World″:On Huang Canran′s Urban Poems

作　　者：李俏梅[1] LI Qiaomei(School of Humanities,Guangzhou University,Guangzhou,Guangdong 510006,China)

机构地区：[1]广州大学人文学院,广东广州510006

出　　处：《广州大学学报（社会科学版）》2023年第1期129-138,共10页Journal of Guangzhou University:Social Science Edition

基　　金：教育部人文社会科学基金项目(17YJA751020)。

摘　　要：如何书写城市及城市生活,是现代诗学中一个富有挑战性的话题。自波德莱尔以来,城市几乎都是作为“地狱”和“罪恶的渊薮”得到书写的,黄灿然提出将城市作为“自然”同时作为“世界”来书写,以破除城市书写中的成规。黄灿然本人的诗歌写作很好地实践了他的诗学主张。他的诗作在叙事性、感性和抽象性之间建立了自身的张力系统,构建出一个爱者与智者眼中的城市世界,在继承波德莱尔遗产的同时为城市书写提供了新的典范。黄灿然是一位在城市诗的理论思考和写作实践上都做出了重要贡献的诗人,值得重视。How to write about cities and urban life is a challenging topic in modern poetry.Since Baudelaire,cities have almost always been written as″hell″and″abyss of sin″.Huang Canran proposed that cities should be written as″nature″and″world″to break the ideology of urban writing bias whose poetry writing is a good practice of his poetic propositions.With the heart of respecting the city and embracing all things,his poems have written the natural picture and life picture of the city,constructing an urban world in the eyes of the lover and the wise,and providing a new way for urban writing while inheriting the paradigm of Baudelaire model.His poetry establishes its tension system between narrative,sensibility,and abstraction,forming a modern quality of poetry while being simple and natural.Huang Canran is a poet who has made important contributions to the theoretical thinking and writing practice of urban poetry and deserves attention.

关 键 词：黄灿然 城市诗 作为自然 作为世界 

分 类 号：I207.25[文学—中国文学]