12-19世纪俄罗斯文学中的动物叙事谱系  

Animal Narrative Pedigree in Russian Literature from the 12th to the 19th Century Zheng Yongwang Wang Wei

作　　者：郑永旺[1] 王威 Zheng Yongwang;Wang Wei

机构地区：[1]黑龙江大学俄语学院

出　　处：《俄罗斯文艺》2023年第1期47-59,共13页Russian Literature & Arts

基　　金：国家社科基金一般项目“当代俄罗斯文学批评流派研究”(项目批准号:17BWW043)的阶段性成果。

摘　　要：世界各国几乎都有以动物为原型塑造形象的文学传统,但早期的动物形象多出现在寓言等少数体裁中,随着时间的推移,动物形象逐渐丰满,而且题材日益广泛,体现出鲜明的民族意识,成为一种象征符号。俄罗斯文学中动物叙事的一系列特征在《伊戈尔远征记》中就已现端倪。俄罗斯作家或借用动物的眼睛来审视人性、观察世界、体验人的情感,或突出动物身上的某些特征来表现动物世界与人的世界的同一性或相异性。Almost all countries in the world have a literary tradition of modeling images based on animals, but the early animal images appear in a few genres, such as fables. As time goes on, the animal images are gradually enriched, and the themes are increasingly broad, reflecting a distinctive national consciousness and becoming a symbol. A series of characteristics of animal narrative in Russian literature have already appeared in The Tale of Igor’s Campaign. Russian writers either use the eyes of animals to examine human nature, observe the world, experience human emotions, or highlight some characteristics of animals to show the identity or difference between the animal world and the human world. Animals never leave the field of Russian literature.

关 键 词：动物叙事 寓言 讽寓性 克雷洛夫 

分 类 号：I512.06[文学—其他各国文学]