再寻桃花源——论任建国水墨探索的“新写意风格”  

To Find an Ideal World again: on Ren Jian’guo’s Ink Painting Exploration of “New Freehand Style”

作　　者：王萌[1] Wang Meng

机构地区：[1]中国美术馆

出　　处：《美术》2023年第1期46-54,共9页Art Magazine

摘　　要：任建国自20世纪80年代开始进行中国画探索,从早期工笔重彩的人物和风俗画到21世纪具有“新写意风格”的人物和山水画,以及从“山水骨架”中提炼出表现性意味的“半抽象”笔墨实验,有着清晰的发展脉络。任建国在中国画格体中对“古意今趣”的新写意探索,以及在笔墨语言和人文情怀两方面对“传统”的承续与创新转化,特别是画家对于“行笔”笔意的豪荡和畅意表达,为21世纪中国画风格中阔意表现“人”“游”“势”“居”和“我”的主题提供了富有启示性的画学经验。Ren Jian’guo began to explore the traditional Chinese painting in the 1980s, and has a clear development path from meticulous, heavy-color figure and genre paintings in the early period to figure and landscape paintings in “new freehand style” in the 21st century, and to expressive, “semi-abstract” ink paintings developed from the “landscape painting structures”. The artist’s efforts to explore a new freehand style featuring “modern charm created by ancient form” in the framework of traditional Chinese painting, to carry forward and innovate traditions in terms of painting techniques and humanistic feelings, and in particular, to express ideas with “running” brushwork have provided inspiring experience for such themes as “people”, “travelling”, “momentum”,“dwelling” and “self” in the traditional Chinese painting in the 21st century.

关 键 词：任建国 中国画 桃花源 新写意风格 

分 类 号：J212[艺术—美术]