委拉斯贵支《宫娥》中的视觉再现研究  

Research on the Visual Representation of Diego Velázquez’s Las Meninas

作　　者：沈桦[1] Shen Hua

机构地区：[1]四川美术学院

出　　处：《美术》2023年第1期141-143,共3页Art Magazine

摘　　要：“再现”是欧洲17世纪中期至18世纪知识建构的主要方式,但随着历史的发展,再现也因知识型的变化而发生改变。福柯在《知识考古学》中认为,绘画被话语实践所贯穿,话语实践所替代的是《词与物》里的知识型。《宫娥》作为艺术史上著名的作品,在古典时代呈现了理性视角下的再现,而到了18世纪末,随着知识型的变化,它也展现了再现的崩溃。“Representation” was a major way of knowledge formation in Europe from the mid-17th Century to the 18th Century, and has changed due to the change of knowledge. According to the Archaeology of Knowledge by Michel Foucault, painting is permeated by discursive practice, which replaces knowledge in his book the Order of Things. Las Menina, a famous work in art history, was a representation from a rational perspective in the classical era. It also showed representation collapse in the end of the 18th Century with the change of knowledge.

关 键 词：再现 宫娥 知识考古学 话语实践 

分 类 号：J205[艺术—美术]