《聊斋志异·黄英》“醉陶”象征意义探析  

“Drunken Tao”symbolic meaning in HuangYing from Liaozhai Zhiyi

作　　者：贾路阳 陈丽平 JIA Lu-yang;CHEN Li-ping(College of Literature,Liaoning University,Shenyang 110036,China)

机构地区：[1]辽宁大学文学院,辽宁沈阳110036

出　　处：《蒲松龄研究》2022年第4期71-79,共9页Study on Pu Songling

基　　金：国家社会科学基金青年项目“明代文人戏曲历史书写的互文性研究”(22CZW030);辽宁省社会科学规划基金青年项目“明代文人的历史剧观念与实践研究”(L21CZW002)阶段性成果。

摘　　要：明清时期,随着商品经济的进一步发展,传统的儒家思想和士人价值观受到挑战,人们对于商业的态度,以及商业在社会上的地位也逐渐发生变化,人们对知识分子生存方式的选择逐渐出现新的思考,《聊斋志异》中多篇作品借助诗化的艺术处理方法加以表现,具有一定的象征意义。其中,《黄英》篇描写的新品菊花“醉陶”,是作者以菊花作反面意象,通过故事中持两种不同观点的人物来展示陶渊明所代表的传统士人精神与新时代风气之间的冲突,表现出了作者本人的矛盾性思考。During the Ming and Qing dynasties,with the further development of the commodity economy,traditional Confucianism and scholar values were challenged,people's attitudes towards commerce and the status of commerce in society gradually changed,and people's choice of intellectuals'survival methods gradually appeared new thinking.Among them,the new chrysanthemum“Drunken Tao”described in HuangYing from Liaozhai Zhiyi is the author's use of chrysanthemums as a negative image,through the characters holding two different views in the story to show the conflict between the traditional scholar spirit represented by Tao Yuanming and the atmosphere of the new era,showing the author's own contradictory thinking.

关 键 词：诗意呈现 士人精神 商业思想 “醉陶”的矛盾思考 

分 类 号：I207.419[文学—中国文学]