新中国版画的文化思辨和审美嬗变述略  

A Brief Description of Cultural Speculation and Aesthetic Evolution of Printmaking in New China

作　　者：任慧慧 REN Hui-hui(Xiangnan Institute,Chengzhou 423000,China)

机构地区：[1]湘南学院,湖南郴州423000

出　　处：《乌鲁木齐职业大学学报》2022年第4期24-28,共5页Journal of Urumqi Vocational University

基　　金：2020年度湖南省教育厅科学研究项目“新时代主题性版画创作中的数字图像媒介与技术研究”(编号:20C1696);2021年度教育部人文社会科学研究项目“新中国17年主题性版画的叙事伦理研究(1949-1966)”(编号:21YJC760061);2020年度湘南学院校级课题“20世纪中国主题性木刻版画的审美嬗变研究”(编号:2020XJ01)的研究成果。

摘　　要：新中国成立以后,社会环境发生了重要变化,从抗战中成长发展起来的中国现代版画,具有了新的发展机遇。本文依据新中国成立70多年以来的主要社会环境变化,把版画发展的过程,分为新中国初期、新时期、新时代三个阶段阐述了版画三次重要的文化思辨和审美嬗变的过程及原因,旨在明晰新中国版画发展的宏观内在路径。After the founding of the People’s Republic of China, important changes took place in the social environment,and Chinese modern print, which grew up in the Anti-Japanese War, had new opportunities for development. According to the main social environment changes since the founding of New China for more than 70 years, this paper divides the development process of printmaking into three stages: the early stage of new China, the opening and reform period and the new era, and expounds the process and reasons of three important cultural speculation and aesthetic evolution of printmaking,aiming to clarify the macro internal path of the development of printmaking in New China.

关 键 词：新中国版画 文化思辨 审美嬗变 

分 类 号：J217[艺术—美术]