西方舞蹈地理研究进展:从非表征争议到创意地理实践  

PROGRESS IN DANCE GEOGRAPHY:FROM CONTROVERSIES OF NON-REPRESENTATIONAL THEORY TO PRACTICES IN CREATIVE GEOGRAPHY

作　　者：黄维[1,2] 李凡[1,2,3] 杨俭波[1,2] HUANG Wei;LI Fan;YANG Jian-bo(Tourism Faculty,Foshan Institution of Science and Technology,Foshan 528000,China;Center of Local Cul-ture and Tourism Development,Foshan Institution of Science and Technology,Foshan 528000,China;Guangzhou Base for Essential Humanistic Social Science Research,South China University of Technology,Guangzhou 510641,China)

机构地区：[1]佛山科学技术学院旅游系,佛山528000 [2]佛山科学技术学院地方文化与旅游发展研究中心,佛山528000 [3]华南理工大学广州市人文社会科学重点研究基地,广州510641

出　　处：《人文地理》2022年第6期12-19,共8页Human Geography

基　　金：教育部人文社会科学研究青年基金项目(17YJCZH065)。

摘　　要：作为早期非表征理论构建的主要场景,舞蹈是特定想法—行为的表达与实践,有助于探察身体动作在理解和创造表达上的潜能,而舞蹈正式进入文化地理学视域的时期也正好是非表征理论对传统文化地理学的挑战接近成熟的关键时期。随着展演的身体成为分析对象以及编舞成为地理研究中新的非表征方法概念,舞蹈作为社会跨学科实践和工具受到越来越多关注。本文以非表征理论引发的诸多争议为基本背景,力求全面呈现如下两个转变过程:(1)舞蹈如何从关于身体、展演性、认同等地理学话题,逐渐演变为检测动作节奏、感觉、生成空间的地理实践和方法;(2)舞蹈地理研究经历如何从批判的舞蹈文化政治学,逐渐转向实践性的展演艺术与创意地理学。文章认为,非表征思想有望用于解决表征之外可能存在的开放性实践难题,丰富调节实践的情感维度,并拓展分析情感交缠的物质主义话语,而转变后的西方舞蹈地理研究对于理解我国现当代文化政治经济的情感属性、思考艺术影响下城市公共社区的差异化也就具有明确的启发价值。Dance was a primary case based on which non-representational theory(NRT) was first built, and as a way of expressing and practicing specific thought-action, it facilitates deeper investigations into the potentials of body and movement in understanding and creating expressions. Doubts over NRT logics and feasibility have urged geographers to rethink of the expressiveness of the body, meanings in mobilities and the emotional nature of spatial experience. With the performing body becoming a subject of analysis and choreography a new NRT concept and method in geographical research, the social inter-disciplinary practice and instrument of dance had received more and more attention. The paper attempts to present a full picture of the two major turns which researches in dance geography have been making against the background of the NRT controversies. First, how dance has transformed from a geographical topic of body, performativity and identity into a practice and method for exploring rhythm, sense and space making. Second, how research in dance geography which used to be critical culture-political studies has become practices in performing art and creative geography. It is suggested that non-representational thinking has the potential in solving problems that emerged in open-ended practices possibly existent outside representation, diversifying adaptive dimensions of emotion for practice, and extending analysis of materialist discourses entwined with emotion.

关 键 词：舞蹈地理 非表征理论 争议 创意地理 实践 

分 类 号：K901.6[历史地理—人文地理学]