影视传播力即文物保护力——纪录片《我在故宫修文物》的文物保护传播分析  

The Communication Power of Films and TV Plays as the Protection Power for Cultural Relics——An Analysis of the Communication and Protection of Cultural Relics Protection in the Documentary I Repair Cultural Relics in the Forbidden City

作　　者：刘子正 LIU Zi-zheng(Taiyuan Cultural Relics Protection Institute,Taiyuan 030012,China)

机构地区：[1]太原市文物保护研究院晋祠园林中心,山西太原030012

出　　处：《海南师范大学学报（社会科学版）》2022年第6期126-133,共8页Journal of Hainan Normal University(Social Sciences)

摘　　要：《我在故宫修文物》是一部非常成功的纪录片,该纪录片通过典型形象、通俗生动的解说词和真实有趣的故事等艺术表现,塑造了文物保护工作者敬业、踏实、技艺精湛的工匠形象、普及了相关文物知识及文物修复知识和技术。该纪录片对观众树立文物保护意识、唤起民族文化认同与自信产生了一定影响,使观众与修复师择一事终其一身的敬业精神产生共鸣,引发观众对生活、工作及其生命意义的思考。I Repair Cultural Relics in the Forbidden City is a very successful documentary. Through typical images, popular and vivid commentaries, real and interesting stories and other artistic expressions, the documentary has delineated the image of dedicated, practical and skilled craftsmen of cultural relics protection, and popularized the knowledge of related cultural relics and cultural relics restoration and technology. The documentary has a certain impact on arousing the audience’s awareness of cultural relic protection as well as their national cultural identity and self-confidence, thereby causing the audience to resonate with the dedicated spirit of the relic restoration workers committed to a single job all their lives, and stimulating their mediation on life, work and the significance of life.

关 键 词：纪录片 传播力 文物保护 

分 类 号：J952[艺术—电影电视艺术]