谁在桥头眺望——论《桥头眺望》中的三重注视  

Whose View Is That from the Bridge:On the Triple Gaze in A View From the Bridge

作　　者：黄绮 HUANG Qi(School of Chinese Language and Literature,Central China Normal University,Wuhan Hubei 430079,China)

机构地区：[1]华中师范大学文学院,湖北武汉430079

出　　处：《四川职业技术学院学报》2023年第1期131-136,148,共7页Journal of Sichuan Vocational and Technical College

摘　　要：被誉为“美国戏剧的良心”的阿瑟·米勒在其两幕剧《桥头眺望》中呈现了一部美国蓝领阶层的新移民悲剧。桥在剧中作为一个特殊意象,具有连接与分离的双重作用,在连接雷德胡克意大利移民聚居地与纽约市区的同时,也强化了两地空间的异质性。与此同时,桥头眺望这一行为的实质也就超越了由叙述者权威构建的叙述者对悲剧主人公的单向注视:主人公埃迪在成为被注视客体,受到美国主流文明形塑的同时,也由于自身与意象桥同质的中介中用,成为实践上的注视主体,对桥的两端进行双向注视,构建了一种主体-中介-客体的三元注视关系。阿瑟·米勒在铺垫这一注视本质的基础上实现了他在文化隐喻层面的第三重注视。Known as "the conscience of the American drama",Arthur Miller presents a tragedy of new immigrants of the American blue-collar class in its two-act A View from the Bridge.As a special image in the play,bridge plays a dual role of connection and separation,which not only connects Red Hook’s Italian immigrant colony with New York City,but also strengthens the heterogeneity of the space between the two places.At the same time,the act of looking over the bridge goes beyond the narrator’s one-way gaze,which is constructed by the narrator’s authority:TEddie is becoming the object of gaze,while being shaped by the American mainstream civilization,it has also become the main body of gaze in practice because it is used by the same intermediary as the image bridge.It carries out two-side gaze on both ends of the bridge,a three-dimensional gaze relation of subject,mediator and object is constructed.On the basis of foreshadowing the essence of gaze,Arthur Miller realizes his third focus on the level of cultural metaphor.

关 键 词：阿瑟·米勒 《桥头眺望》 注视 桥 异国形象 

分 类 号：I106.4[文学—世界文学]