宋代界画建筑艺术化处理方式研究  

Research on the Architecture Artistic Expression of Song Boundary Painting

作　　者：吴佳艳 周天涯 

机构地区：[1]南京工业大学建筑学院 [2]浙江东南网架股份有限公司

出　　处：《建筑与文化》2023年第2期264-266,共3页Architecture & Culture

摘　　要：宋代界画是研究中国古代建筑史的重要参考资料,其具有工程图纸的严谨性,也具有中国传统山水画的写意性。在宋代界画中,由于画家存在一定的主观艺术化创作,导致画作所呈现的宋代建筑形象与客观存在的建筑形象有矛盾。文章通过对宋代界画中的建筑特征与宋代建筑实例和文献资料进行分析,探究宋代界画中的建筑在艺术处理背后的客观存在。The boundary painting of the Song Dynasty provides an important reference for the study on the history of ancient Chinese architecture.It demonstrates the preciseness of engineering drawings and the liberal style of traditional Chinese landscape painting. With regard to the boundary painting of the Song Dynasty, the subjective artistic creation by painters causes, the architectural image presented in the painting contradictory to the objective architectural structure of the Song Dynasty. In this paper the architectural characteristics exhibited by the boundary painting of the Song Dynasty are compared with the architectural examples and literature of the Song Dynasty, so as to explore the objective existence of architecture behind the artistic treatment in boundary painting.

关 键 词：界画 宋代建筑 《营造法式》 艺术处理 

分 类 号：TU-092[建筑科学—建筑理论] J212[艺术—美术] K244[历史地理—历史学]