张伯驹书学思想研究  

ZHANG Boju calligraphy thought study

作　　者：杜敬民 DU Jingmin(College of Fine Arts,Zhoukou Normal University,Zhoukou 466001,China)

机构地区：[1]周口师范学院美术学院,河南周口466001

出　　处：《周口师范学院学报》2022年第6期63-66,共4页Journal of Zhoukou Normal University

摘　　要：张伯驹40岁以前书学王羲之《十七帖》,40岁以后学钟繇楷书,自觉呆滞乏韵,后得蔡君谟《自书诗册》,临摹不辍,受益良多。晚年一改前辙别树一帜,形成风格独特的“鸟羽体”。张伯驹人生历经磨难复归平静后,在书法上的观念与思想也发生了巨大的变化。运用文献研究和案例研究的方法,从“师古而化”“继承与创作”和“崇王慕晋”三个方面,对张伯驹书学思想进行研究,以期更加深入地了解张伯驹的书学理念,进一步推进张伯驹的相关研究。ZHANG Boju studied“Seventeen Theses”written by WANG Xizhi before he was forty years old,and after that,he learned ZHONG Yao’regular script.But he felt sluggish and lacked rhyme,then he obtained CAI Junmo’s“Self-written Poetry Book”,copied it frequently and benefited a lot.In his later years,he changed his previous style and formed a unique one,“Bird Feather Style”.ZHANG’s concepts and thoughts in calligraphy have undergone tremendous changes after he has returned to peace after suffering hardships.The article explored ZHANG’s calligraphy thought from three aspects,“learn from the predecessor and internalization”,“inherit and innovate”,and“revere WANG Xizhi and admire the calligraphy of Jin Dynasty”,in order to have a deeper understanding of ZHANG’s calligraphy concept and further promote his related research.

关 键 词：师古而化 鸟羽体 继承 创作 

分 类 号：J292.1[艺术—美术]