诗情画意:《春江水暖》环境造型的诗意建构  

Poetic and Picturesque:The Poetic Construction of Environmental Modeling in the Film Dwelling in the Fuchun Mountains

作　　者：张逸乔 ZHANG Yiqiao

机构地区：[1]上海戏剧学院电影学院,上海201112

出　　处：《上海视觉》2022年第2期41-46,共6页Shanghai Vision

摘　　要：环境作为剧作语言的一部分,承担着独立的符号意义或主题直接的表意。近年来中国青年电影导演们在本土影像创作中,越来越重视到环境在电影中所扮演的角色的重要性。电影《春江水暖》从色彩、生活空间以及声音各方面对环境造型进行艺术化改造,达成对中国传统山水卷轴画美学追求的影像转化,展现了环境造型作为剧作语言作用于电影叙事的潜在能量和独立价值,为世界影坛带来了承继中国传统艺术美学的华语电影。As a part of the language of drama,environment takes on the independent symbolic meaning or the direct meaning of theme.From the local creations by young Chinese film directors in recent years,increasing attention has been directed to the importance of the role of the environment in the film.The film Dwelling in the Fuchun Mountains artistically transforms the environmental modeling in the aspects of color,living space and sound,and achieves the image transformation of the aesthetic pursuit of traditional Chinese landscape scroll painting,showing the potential energy and independent value of environmental modeling as the language of drama in the film’s narrative.It also brings Chinese-language films that inherit the traditional Chinese artistic aesthetics to the world film industry.

关 键 词：《春江水暖》 环境造型 山水卷轴画 

分 类 号：J90[艺术—电影电视艺术]