嘿然于风气之外:一代殿元李振钧的以诗自囚  

Out of the General Mood:The Number One Scholar Li Zhenjun's Self Imprisonment with Poetry

作　　者：李舜华[1] Li Shunhua

机构地区：[1]广州大学人文学院

出　　处：《励耘学刊》2022年第2期212-225,M0010,M0011,共16页

摘　　要：国家大变之际,李振钧与龚自珍、魏源彼此交集。然而,当科举受挫的龚自珍与魏源慨然以忧天下为己志而夺风气之先时,同榜殿元李振钧却始终拒绝现实,以诗自囚。这一以诗自囚,方是嘉道间“以诗道复古为始、以台阁风雅为归”这一脉的真相所在,或者说,中唐以后诗道的复古与复雅,发展至嘉道末世,至极也至衰,最终结成了这一“心囚”的象--一代殿元最终成为那一代失语的典型。一个浮沉的末世象,与龚自珍、魏源等开风气者,共同构成了那一时代风云变动的复杂图景。At the time of great changes in the country,Li Zhenjun,Gong Zizhen and Wei Yuan intersected with each other.However,when Gong Zizhen and Wei Yuan,who were frustrated by the imperial examination,took the lead by worrying about the world;Li Zhenjun,the Number One Scholar,refused reality all his life and imprisoned himself with poetry.This is the truth of poetics“starting with the restoration of poetry and returning to the elegance of Cabinet-style”in Jiaqing and Daoguang period.In other words,from the Mid Tang Dynasty to the Late Qing Dynasty,the restoration and refinement of poetry developed to the extreme,which was also the most decadent,and finally formed the image of“heart prisoner”--Li Zhenjun finally became the typical aphasia of that generation,together with Gong Zizhen,Wei Yuan and other pioneers,formed a complex picture of the changes of the times.

关 键 词：近代诗歌 李振钧 以诗自囚 末世图景 

分 类 号：I207.22[文学—中国文学]