从香山饭店到苏州博物馆——从两件作品探讨贝聿铭对中国现代建筑设计的思想变化  

From Fragrant Hill Hotel to Museum in Suzhou:Ideological Change Analysis of Ieoh Ming Pei’s Modern Chinese Architecture Design from Two Works

作　　者：孙锡嘉 侯睿 Sun Xijia;Hou Rui

机构地区：[1]东南大学建筑学院 [2]华南理工大学建筑学院

出　　处：《华中建筑》2023年第2期21-24,共4页Huazhong Architecture

摘　　要：在中国现代建筑发展中,香山饭店和苏州博物馆是两件重要作品。香山饭店建成后,学界对其民族化、现代化的判定有许多争议。直到25年后苏州博物馆落成,对于中国现代建筑,贝聿铭提出中而新的明确观点。对于一位建筑大师跨越近30年的两件作品,其形式与内涵需以审慎态度分析理解。因此,该文通过对这两件作品的设计手法、思想和学界评论的对比分析,试探讨贝聿铭设计思想、手法的变化,及其为中国现代建筑发展带来的影响与启发。In the development of Chinese modern architecture,Fragrant Hill Hotel and Museum in Suzhou are two important works.After the completion of Fragrant Hill Hotel,there were many disputes in the academic circles about its nationalization and modernization.It was not until the completion of Museum in Suzhou 25 years later that Ieoh Ming Pei put forward a clear view of"traditional but modern"for Chinese modern architecture.The form and connotation of two works of an architect spanning nearly 30 years need to be analyzed and understood with a cautious attitude.Therefore,through the comparative analysis of the design methods,ideas and academic comments of the two works,we hope to explore the changes of Pei’s design ideas and methods,as well as the impact and inspiration for the development of Chinese modern architecture.

关 键 词：香山饭店 苏州博物馆 贝聿铭 设计手法 中国现代建筑 

分 类 号：TU-86[艺术—艺术设计]