革命叙事中自我表达的可能与限度——从《铁木前传》六儿形象塑造看孙犁创作的矛盾心理  

The Possibility and Limitation of Self-Expression in Revolutionary Narratives——The Contradictory Psychology of Sun Li’s Creation Viewed from the Image Creation of Liu’er in Ironwood Prequel

作　　者：侯业智[1] 邱荣华 HOU Ye-zhi;QIU Rong-hua(School of Liberal Arts,Yan′an University,Yan′an 716000,Shaanxi)

机构地区：[1]延安大学文学院,陕西延安716000

出　　处：《延安大学学报（社会科学版）》2023年第1期99-104,共6页Journal of Yan'an University (Social Sciences Edition)

基　　金：陕西省教育厅哲学社会科学重点研究基地项目“从‘民间狂欢’到‘政治构建’:陕北民间艺术的改造之路”(17JZ084)。

摘　　要：孙犁在《铁木前传》中塑造的六儿是十七年文学中的独特形象,摆脱了革命文学塑造人物的窠臼。孙犁在六儿形象的塑造过程中表面上是顺应了时代话语批判着六儿,但在文本内部又潜藏着对六儿的理解与欣赏。这种矛盾的创作心理起源于孙犁意图在革命叙事主流话语中隐晦地表达自我的个体价值观。但个体价值观的自我表达与革命叙事表达却在书写过程中发生牴牾,使小说出现了明显的叙事裂缝。革命叙事裂缝中的“自然人”六儿与孙犁的生活经历形成了一种镜像互动,成为一个富有隐喻性的人物形象,更成为透视孙犁创作的矛盾心理的一个重要人物。Liu′er portrayed by Sun Li in Ironwood Prequel is a unique image in seventeen years of literature, freeing itself from the trap of revolutionary literature to shape characters. In the process of shaping the image of Liu′er, Sun Li superficially conforms to the discourse of the times and criticizes Liu′er, but there is an understanding and appreciation of Liu′er hidden in the text. This contradictory creative psychology originates from Sun Li′s intention to implicitly express his own individual values in the mainstream discourse of revolutionary narratives. However, the self-expression of individual values and the revolutionary narrative expression have been contradicted in the writing process, making the novel have obvious narrative cracks. Liu′er, a "natural person" in the revolutionary narrative crack, and Sun Li′s life experience forms a mirror image interaction, becoming a metaphorical character image and an important figure to see through the contradictory psychology of Sun Li′s creation.

关 键 词：孙犁 《铁木前传》 革命叙事 自我表达 创作心理 

分 类 号：I206.7[文学—中国文学]