现代文学家世研究的可能与方法  

The Possibility and Method of Extraction Research in Modern Literature

作　　者：李超杰 Li Chaojie

机构地区：[1]中国人民大学文学院,北京100872

出　　处：《学术研究》2023年第2期161-168,178,共9页Academic Research

基　　金：中国博士后科学基金第72批面上资助项目“家世对中国现代文学影响研究”(2022M723478)的阶段性成果。

摘　　要：作为古代文学研究领域的常见议题,“家世”在现代文学领域亦具有广阔的理论空间和应用前景。现代文学学科若要进行家世研究,需要“以古为师”,更需适应学科实际予以升级改造。立足于人文互证、实证研究,透过作家家世里层内容,挖掘其对主体先在文化结构和创作心理形成的影响,进而分析动机驱使之下采取的叙事策略、编码原则及价值预设,或可更加深入地接触作家、文本与文学史。将家世作为一扇进入现代文学研究的窗口,既非历史学范畴的作家家世考古,也无意于宣传所谓的“家世决定论”。这条路径既有意义,也有限度,希望此种思路能为现代文学研究注入一丝活力。As a common topic in the field of ancient literature research,extraction has broad theoretical space and application prospect in the field of modern literature.If the modern literature discipline wants to carry on the extraction research,it needs to learn from the past academic experience,but also needs to adapt to the actual subject to upgrade.Based on the empirical research,the author’s historical materials of extraction is explored to discuss its influence on the formation of the subject’s cultural structure and creation psychology,and then the narrative strategy,coding principle and value presupposition driven by the motivation is analyzed,so as to have a deeper contact with writers,texts and literary history.Taking the extraction as a window into the study of modern literature is neither the archeology of writers’extraction in the category of history,nor the propaganda of the so-called extraction determinism.This path has both meaning and limits.I hope this thought can inject a little vitality into the study of modern literature.

关 键 词：家世史料 主体心理 话语叙事 现代作家 现代文学 

分 类 号：I207.42[文学—中国文学]