综述瓷面上的文人花鸟画特点——以青花釉里红绘制为例  

Summarizing the Characteristics of Scholar Flower and Bird Painting on Porcelain——Take Blue and white underglaze red Painting as an Example

作　　者：余乐 Yu Le(Ba Zhuo Tang,Jingdezhen,333000)

机构地区：[1]把拙堂,景德镇333000

出　　处：《陶瓷研究》2022年第5期132-134,共3页Ceramic Studies

摘　　要：陶瓷在我国历经上万年的发展,已经成为我国重要的艺术表现形式之一。从人类创烧出彩陶后,装饰图腾就开始在彩陶中出现。此时的彩陶装饰主要记录原始人们的生活日常以及心理期盼,也包括祭祀场面等等,之后彩陶经过发展,逐渐有了瓷器的制作。而陶瓷的装饰在封建社会时期,基本上以图案装饰性为主,而具有文人气息的装饰风格则要到近现代时期。也就是珠山八友为代表的文人陶瓷艺术家开始将国画艺术融入到陶瓷装饰中。从此,陶瓷艺术装饰开始了新局面,青花釉里红的装饰也在这一时期突破了原有的面貌增加了新的风格。本文主要研究瓷面上的文人花鸟特点,以青花釉里红绘制为论述点进行浅析。After tens of thousands of years of development in China,ceramics have become one of the important forms of artistic expression in China.Since the creation of colored pottery,decorative totems have appeared in colored pottery.At this time,painted pottery decoration mainly recorded the daily life and psychological expectations of primitive people,including sacrificial scenes,etc.Later,after the development of painted pottery,porcelain was gradually produced.In the feudal society,the decoration of ceramics was basically based on decorative patterns,while the decorative style with literati flavor was in the modern era.That is to say,the literati ceramic artists represented by Zhu 38you began to integrate traditional Chinese painting art into ceramic decoration.From then on,ceramic art decoration started a new phase,and the blue and white underglaze red decoration also broke through the original appearance and added a new appearance in this period.This paper mainly studies the characteristics of literati flowers and birds on the porcelain surface,and analyzes the blue and white underglaze red painting.

关 键 词：瓷面 文人 花鸟 青花釉里红 

分 类 号：J527[艺术—艺术设计]