电影《邓小平小道》影像创作的美学思考与技术探索  

An aesthetic thinking and technique exploration of image creation in A Man of the People

作　　者：林韬[1] Lin Tao(School of Cinematography,Beijing Film Academy)

机构地区：[1]北京电影学院摄影系,北京100088

出　　处：《现代电影技术》2023年第2期17-24,共8页Advanced Motion Picture Technology

基　　金：北京电影学院领军人才计划(60001011932-001)。

摘　　要：电影《邓小平小道》是国家重大题材影片,主创团队突破传统主旋律影片的创作定式,在叙事手法、人物塑造、主题表达以及电影美学方面进行了卓有成效的探索。本文作者担任摄影指导,结合实践创作体会,着重阐述本片在影像创作方面的美学思考和技术实现。本文从影像整体风格的构思、突出素描关系的影调控制、略带浪漫主义的照明设计、印象派风格的色彩表现、强化表达力度又融于叙事的镜头调度等五个方面进行深入解读。A Man of the People is a nationalist film with important theme. The main production team broke through the pattern of traditional filming methods and made a thorough exploration of narrative techniques, characterisation, theme expression and film aesthetics. As the director of photography in this film, the author of this essay combines his practical experience, proposes his aesthetic thinking and technical practices in the field of image creation. This essay also makes an in-depth interpretation of A Man of the People from five aspects, including the concept of the overall style of its film image, the technical control of highlighting the relationship between sketches and image tone, the lighting design with subtle romanticism style, the colour expression of the impressionist style, and the Mise-en-Scène technique of both emphasising tension and narrative in the film.

关 键 词：影像 美学 技术 

分 类 号：J4[艺术—摄影艺术]