论嘉靖本《荔镜记》中李婆的独特性  

The Uniqueness of Li Po’s Image in the Jiajing Edition of Li Jing Ji

作　　者：郑毓姝 ZHENG Yu-shu(School of Liberal Arts,Minnan Normal University,Zhangzhou,Fujian,363000)

机构地区：[1]闽南师范大学文学院,福建漳州363000

出　　处：《韩山师范学院学报》2023年第1期66-72,共7页Journal of Hanshan Normal University

摘　　要：明嘉靖本《荔镜记》不仅是明代早期优秀的闽粤地方戏剧曲目,而且具有丰富的文学内涵,对丑角李婆的塑造亦不一般。较万历本《荔枝记》中脸谱化的李婆而言,嘉靖本中的李婆具有观念先进、个性鲜明的特征,在情节结构上穿针引线、贯穿全文,同时她的出场紧密把控剧情、贴合剧情的言语打诨兼顾了舞台演出的实际需求,具有其独特性。相较于万历本注重舞台效果却不重视文本的粗糙描摹,嘉靖本则兼顾双方,将李婆性格、举止立体化,人物性格饱满、富有意趣。The Jiajing edition of Li Jing Ji in the Ming dynasty is not only an excellent local opera repertoire from Fujian and Guangdong in the early Ming dynasty,but also has a rich literary connotation,with an unusual portrayal of the buffoon Li Po. Compared with Li Po in the Wanli edition of Li Zhi Ji,Li Po in the Jiajing edition has the characteristics of advanced ideas and distinctive personality,and acts as a go-between in the plot. She is unique in that her appearance closely controls the plot and her gags balance the actual needs of the stage performance. Compared with the Wanli edition that pays more attention to the stage effect but less attention to the rough description of the text,the Jiajing edition gives consideration to both,and gives a three-dimensional portrayal of Li Po’s personality and behavior,making her character full and interesting.

关 键 词：嘉靖本《荔镜记》 李婆 媒婆 独特性 

分 类 号：I207.37[文学—中国文学]