现代京剧《磐石湾》音乐探析  

An Analysis of Modern Peking Opera Boulder Bay

作　　者：庄永平[1] ZHUANG Yongping

机构地区：[1]上海艺术研究所,上海200000

出　　处：《音乐探索》2023年第1期3-12,共10页Explorations in Music

摘　　要：套用著名德国诗人歌德的话:“一般的填词作曲算不了什么,真正成为艺术的贵在创新。”从《磐石湾》音乐的创作可见,音乐作品应既有传承又有创新,且有作曲家的个性,这是十分重要的。尤其是对于我国传统戏曲的音乐设计来说,这种创新与继承的关系较难把握:一方面很难突破传统的整个唱腔音乐格局;另一方面,突破过大不行,按照旧路也不行,另起炉灶更不行,这是我国传统戏曲艺术特性本身所决定的。争取能做到一步(剧)一换形,步步为营(形)累积起来,有理、有利、有力地加以发展。It can be seen from modern Peking opera Boulder Bay that it is important for musical works to join inheritance,innovation and composer’s personality together.As for the music design of China traditional operas,it is challenging to balance innovation and inheritance well.On the one hand,it is hard to break through the traditional music system for the voices of opera;on the other hand,if there is any breakthrough,it can’t be too much for it is decided by the artistic features of Chinese traditional opera.Therefore,to go step by step in innovation will be the most beneficial for the development of Chinese traditional opera.

关 键 词：《磐石湾》 音乐设计 音乐布局 音乐主题 新行当唱腔 

分 类 号：J617.1[艺术—音乐]