文明戏与近现代越剧的改革  

Civilized Drama and Its Influence on the Modernization of Yue Opera

作　　者：王晓珊 WANG Xiaoshan

机构地区：[1]福建省艺术研究院,福州350001

出　　处：《浙江艺术职业学院学报》2022年第4期21-27,133,共8页Journal of Zhejiang Vocational Academy of Art

摘　　要：文明戏通过观念的渗透、人员的介入、剧目的输入、形式的借鉴等多方面参与了越剧的改革和剧种现代化的过程,推动越剧在剧目题材、人物塑造、舞台布景等方面的变革。文明戏还承担了新的戏剧观念输入越剧的媒介和通道,始终传递一种强烈的趋新求变的价值诉求,表达戏曲功能上对真、美的追求,这些变化构成越剧改革在舞台花样翻新之下深层次的理念和主旨。Through the penetration of ideas, the intervention of personnel, the input of repertories, and the reference of forms, civilized drama participated in the process of the reform and the modernization of Yue Opera, and promoted the reform of the opera in the aspects of the subject matters, the characterization, and the stage setting. In addition, civilized drama has assumed the medium and channel for the input of new dramatic ideas into Yue Opera. It has always conveyed a strong value appeal of seeking novelty and change and expressed the pursuit of truth and beauty in functions of Chinese Opera. These changes constitute the essential concept and theme of the reform of Yue Opera under the renovation of stage patterns.

关 键 词：越剧改革 文明戏 时装戏 姚水娟 袁雪芬 

分 类 号：J825[艺术—戏剧戏曲]