互动与自反:论媒体变革下曲艺传播的分期与嬗变  

Interaction and Self-reflection:the Stages and Transmutation of the Spread of Quyi under the Media Reform

作　　者：盛书琪 SHENG Shuqi

机构地区：[1]南开大学文学院,天津300071

出　　处：《浙江艺术职业学院学报》2022年第4期49-56,共8页Journal of Zhejiang Vocational Academy of Art

基　　金：国家社科基金艺术学项目“晚清至民国时期京津沪报刊曲艺资料整理研究”阶段性成果,(批准号:21BB029)。

摘　　要：曲艺是中华民族古老的生命印记,在社会变迁中承载着活态的文化基因。媒体手段的变革影响曲艺传播形态,在场传播是曲艺传播的本原,在大众传播体出现之前占据主流地位,而随着媒体传播方式由传统向现代的转化,曲艺在场性逐渐减退。曲艺艺人与观众的互动认知方式随之转变,由讲述自省到心理自省,最后发展到社会自省。Quyi is the ancient life mark of the Chinese nation, and carries the living cultural genes along with the social changes. The change of media affects the form of the spread of Quyi, and the live-spread is the origin of the spread of Quyi, which occupied the mainstream position before the appearance of mass media, and with the transformation of the media mode from traditional to modern, the need for live-performances of Quyi gradually decreased. The interactive cognitive style between the Quyi artists and the audience has changed from narrative self-reflection to psychological self-reflection, and finally to social self-reflection.

关 键 词：曲艺传播 在场性 媒体变革 自反 互动 

分 类 号：J826[艺术—戏剧戏曲]